Pond Song
—Emily Adams-Aucoin
Pond Song
Because I don’t know the language
of the cranes or the grasses, everything
that I write about them is speculation.
To speak a song, to strip the music
from it softly—
My life does have a quiet beauty to it,
though it’s corrupted by my human longing,
all my cruel appointments.
To stay, to feel justified in staying,
I had to learn a new way of listening.
This looked a lot like lying to myself,
which sometimes relieved me
because at least it was a kind of creation.
O fellow passengers:
I, too, am a mess.
I, too, am looking at the mess, which I made,
which I am never outside of, no matter where I go.
I bring it with me like an offspring or
another limb.
Even my loneliness, which is another name
for my body & how it moves through the world,
is unimpressive, average.
The cranes bend expertly to the water
because that’s exactly what they’re meant for.
The old songs are sung just out of earshot.
Even if we could hear them,
we would have to listen so, so closely.
It’s unlikely that any of us are doing this right.
About
EMILY ADAMS-AUCOIN is a writer whose poetry has been published in Electric Literature’s “The Commuter,” Split Rock Review, Meridian, and Colorado Review, among other publications. She reads for Arboreal Literary Magazine, Kitchen Table Quarterly, and Variant Literature. She currently lives in South Louisiana. You can find Emily on social media @emilyapoetry.